Showing posts with label Westrade Textiles. Show all posts
Showing posts with label Westrade Textiles. Show all posts

Sunday, November 25, 2018

"Oh My Stars" guild Challenge offers possibilities for exploration, learning and development

My guild's annual Guild Challenge for 2018 was called "Oh My Stars." My entry, which won a 3rd place prize, was inspired by Australian aboriginal fabrics [M&S Textiles Australia] and aboriginal Dreamtime designs. 
2018 Choo Choo Quilters Guild Challenge by Veronica Hofman-Ortega.

Challenge Requirements
The Choo Choo Quilters Guild Challenge is presented to guild members at the beginning of the year. It allows a good 7 to 9 months for members to contemplate, plan and execute their piece before the big reveal in November. The requirements for the 2018 Challenge were minimal... and the size was quite manageable:
  • Design: the quilt must have at least three different star patterns.
  • Size: minimum of 12" on any side; maximum of 45" on any side
  • Must be quilted and finished.

With about a week before the deadline, I realized my "Stars" solution had been traveling with me since February—samples of English paper pieced [EPP] hexagons using Australian fabrics. (See this blog post.) Using these blocks in a guild Challenge would give them a purpose, I thought, and they could be showcased in a finished piece. My EPP sample blocks included two star designs so I just had one more star variation to come up with. (The three star variations can be seen in the photo above.)
English paper pieced [EPP] stars using Australian fabrics
from M&S Textiles Australian

The Process
The EPP hexagon stars were hand pieced and the blocks were hand stitched together. I experimented with a few layouts and block placement on a background. The circle patterned fabric was chosen for the background because circles are a major design element and symbol in the Dreamtime designs, and the lime green was the complementary color to the reds and oranges in several of the stars.
Auditioning layouts of the stars.
(Note: fabric colors are not accurate due to inside lighting conditions.)
Once the layout was determined, guidelines for the quilting were drawn on the background with a chalk marker. 
Guidelines for quilting are marked.
The quilting techniques include walking foot quilting, free-motion quilting and rulerwork. The English paper pieced star blocks were appliquéd to the quilt after the background was free-motion quilted. The stars were then ditch quilted with a 60 wt. polyester thread.  
Background free-motion quilting.
The quilting designs were inspired by the motifs in the Australian fabrics and the story of the Dreamtime designs.
Detail: free-motion quilting.

For the backing, I used a leftover piece of a 110" wide backing [Westrade Textiles]. The color and value of this fabric made it easy to choose a bobbin thread to match the color of the top thread that was used for the quilting. Here are views of the quilting from the back.
Back detail.
A facing was used rather than a traditional binding. The same 110" wide backing fabric was used for both the backing and facings.
Back detail: free-motion quilting and quilt facings.

The finished piece: 26" x 38.5"
26" x 38.5" finished size.
Quilt Stats
  • 80 wt. soft poly thread for EPP hand piecing hexagons (DecoBob from WonderFil Threads);
  • 50 wt. cotton top thread (Konfetti from WonderFil Threads) for quilting; 
  • 60 wt. poly top thread for ditch quilting (Bottom Line from Superior Threads); 
  • 60 wt. poly for bobbin (Bottom Line); 2-1/2 bobbins.
  • 13 hrs. quilting: walking foot (curves and circles); free-motion for background and fillers; ruler work for ditch and outline quilting.
  • fabrics from M&S Textiles Australia (pieced hexagons), Art Gallery Fabrics (background); Westrade Textiles (quilt backing and facings)

Why participate in a guild Challenge?
One of the things that my guild does during our Challenge Reveal is to have each Challenge participant give a brief explanation of their piece before the prizes are awarded. Their explanation could be about their inspiration, their thought process behind meeting the Challenge requirements, the trials, roadblocks and successes of the creation process, the materials used, or any pertinent information they feel contributes to the "story" of their Challenge entry. I think you can always learn something from listening to another person's creative path to solving a problem—especially when we were all faced with the same problem to solve.

One of our newer members commented that she could never enter a piece in a Challenge. Quick yet gentle encouragement came forth in response.
  • Guild Challenges are a great way to experiment with new techniques and concepts in a safe environment (in the presence of your fellow guild members who support you and your endeavors).
  • You can learn from working on your own piece as well as from what others present.
  • What better way to try new things than a Challenge? You will become proficient and gain confidence by doing.
  • Challenges keep your brain active as you problem solve and research solutions to make your vision a reality.
  • The Challenge Reveal is a "quilt show" we give to ourselves as a guild. It's a well-deserved treat for the entire group!
Congratulations to all the Choo Choo Challenge participants! Well done.

Monday, May 29, 2017

Prepping Projects for Spring Quilt Market

Free-motion quilting on Betula from Westrade Textiles.
If you follow me on Instagram [veronica.fiberantics], you may have seen progress of these pieces as I was preparing for Spring Quilt Market in St. Louis. So not to neglect my blog and its readers, I'll post photos of the projects I've been working on for the last month or two.

Westrade Textiles sent me a few lengths of their wide backings and asked if I would make a sample for their booth at Market. Westrade offers 110" wide quilt backings in a variety of designs and colors in cotton and brushed cottons.

This sample is from the Betula collection. I used a quilting stencil as a springboard for the free-motion quilting feathers and fillers. WonderFil Threads were used and it was free-motion quilted on a Janome 6500 domestic sewing machine.

Using a quilting stencil as a guide for free-motion quilting.
A second sample was with a brushed cotton from the Betula line. It was wonderfully lush to quilt with a brushed cotton... the stitches sink into the fabric... revealing a lovely, soft quilted texture. I practiced my rulerwork on this sample as well.
Westrade Textiles 110" wide quilt backings.
A contrasting color thread defines the rectangles.
Betula brushed cotton wide backing with free-motion quilting.
Another free-motion quilting sample went into the ADORNit booth for display. This piece incorporates one of their ArtPlay Stitchery embroidery patterns. These are cute, happy stitching designs that temporarily adhere to any background fabric—a yarn-dyed woven from Diamond Textiles was used here—and then wash away with water after the hand or machine embroidery is complete. I used this stitchery for free-motion quilting. 
ArtPlay Stitchery pattern with free-motion quilting.
I made two knit tops using Art Gallery Fabrics [AGF] knit fabrics. These cotton pullovers are becoming a staple in my wardrobe—in short and long sleeves! The first top was color blocked and had a fabric accent on one sleeve.
Color blocked T-shirt made with Art Gallery cotton knits.
 This second top used one of the AGF florals.
Cotton knit top.
I'm glad I brought a jacket to wear over my short sleeve tops. As expected, the conference center had the air conditioning set to "cool." Details about the process for making this vintage-inspired jacket using Diamond Textiles yarn-dyed wovens and vintage orphan quilt pieces can be found at these two posts: Part 1 and Part 2.
Yarn-dyed wovens and vintage textiles combined.
To carry a notebook and my business cards, and to stash any handouts, marketing brochures, etc. that I picked up at Market, I made this totebag/briefcase. It combines Art Gallery's canvas and quilting cottons from Patrick Lose's Poppies in Bloom fabric line. This is yet another variation of the Cargo Duffle that I've made from this Noodlehead pattern. Here is the post about the first version I made using Alexander Henry's canvas fabric.
Canvas briefcase/totebag. Variation of the Cargo Duffle by Noodleheadd.
These projects are made from fabrics of the fabric companies I currently represent. If you are interested in any of these fabrics, please ask your local quilt shop to carry them. Support YLQS [your local quilt shop], keep your needles threaded and may your fabric stash be plentiful!
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