A second 100 Day Project for 2026: A Daily Scrap

I’ve decided to do a second 100 Day Project to introduce a co-worker to this wonderful, creative, art practice. So, in addition to The 100 Day Stitch Book, this 100 Day Project—A Daily Scrap—will coincide with the global 100 Day Project that begins today, February 22. 

A Scrap-a-Day 100 Day Project for 2026 

For my second 100 Day Project for this year, I’ll be collecting one scrap per day from found objects: fast food wrappers, receipts, packaging, bits of paper, daily detritus—items usually tossed or recycled without a second thought. It will be fun and freeing to work with items that already exist. Trash will become texture. Packaging will become pattern. These fragments and tiny artifacts of daily life will be put into a small junk journal—an appropriate vessel, it seems, for a collection of the mundane. 

Junk journal for my 100 Day Project 2026: A Daily Scrap.

This junk journal is 4.25” x 5.5”, a good, pocket size for the project. It has 

• three signatures, 4” x 5.5” in size,
• a paper cover with a 1/2” spine,
• is pamphlet stitched. 

Three signatures pamphlet stitched to a cardboard journal cover.

I’ll be using a 1-1/4” square paper punch to fussy-cut the paper scraps. This square shape and the 1-1/4” size will be the unifying factor for the collection. But this will also be the challenge of the project—to capture a daily theme, idea, or event in that small format. I’ll see how it goes.

My new 100 Day Project junk journal and the 1-1/4” paper punch for the daily squares.

By using a junk journal for this project, the goal isn’t to make something polished. It’s building a record of days as they actually unfold. 

A sample of what the daily 1-1/4” square will look like on a page.

Do the 100 Day Project 

If you’ve ever thought about joining The 100 Day Project, this is your invitation! Pick something small—like this. Creativity doesn’t require new materials—just a little attention and commitment. Show up and let repetition do the work. 

 One scrap at a time, I’ll be building a book of days. 

The history of the 100 Day Project 

Michael Bierut, once a professor at the Yale School of Art, started The 100 Day Project as a simple but powerful idea: choose a creative act and repeat it every day for 100 days. No perfectionism. No overthinking. Just show up, do the work, and enjoy the practice. 

Artists, designers, writers, and makers around the world have taken part each year, using the structure to build momentum, experiment, and reconnect with their creativity. Showing up daily can shift something. Even when the act feels small.

My 100 Day Stitch Book: Conversations with projects past

We’re 31 days into the 100 Day Stitch Book project with @annwood and I’m enjoying the intuitive stitching of creating small textile compositions with fabric and yarn scraps. Six of twenty pages are complete and page seven begins today, Day 31. 

Pages 1 and 2 of the 100 Day Stitch Book 2026.

A slow-built rhythm 

Each page is built slowly and intuitively—in 15 minute increments, over five days. There is no plan or sketch for creating the compositions. They evolve organically. I’m guided by the shapes and colors of the fabric bits which is followed by the addition of texture and detail with hand stitching and couching various yarn tails. 

Pages 3 and 4 of the 100 Day Stitch Book 2026.

The base fabrics for my pages are yarn-dyed wovens—most are from Diamond Textiles. These textiles hold an innate subtle texture and dimension. They possess a tactile depth even before I add my own stitches. And the soft, supple hand is very welcoming to hand stitching.. 

Yarn-dyed fabric for the book pages. I serge the edges to keep them neat and tidy while stitching.

The 100 Day Stitch Book is about mindfulness, creativity, being present… and making small compositions with fragments and scraps. It’s satisfying to be able to give fiber fragments (fabrics and yarns) a second life. Appliquéd fabric scraps create color-blocked backgrounds. Saved yarn tails become texture. Embroidered motifs and couched yarns become focal points. Stitches create texture and hold the fabric and yarn on the pages. 

Pages 5 and 6 of the 100 Day Stitch Book 2026.

As I appliqué the scraps to the base fabric, I remember the earlier projects from where they came. Every page is like a small conversation between eyes, hands and materials.

Bonus page

On January 24, I was drawn to create this page as witness to the horrific events happening in the country. This is an additional page—not one of the 6 above. I’m pondering how to include it in my final stitch book. I’m sure by the end of the 100 days, the project will tell me.

Bonus page from January 24, 2026.

Wanted: more Joy in the world

In these bleak, gray, cold, February days of winter, it seems the world could use some color and comfort to shift our collective mindset. Last week, I foraged time to finish three kitty quilts—all improvisationally pieced from scraps that were ready for a second life. Letting the scraps and color lead the way, the patchwork was built organically around blocks from fabric panels. 

Two scrappy kitty quilts with blocks from a fabric panel.

One quilt is going to a cat-loving friend and the other two are keeping our pack of outside cats snuggly in their cat boxes. The backing fabric is a cute bunny flannel print to make the quilts extra soft and cozy. 

Three blocks from a fabric panel make this scrappy quilt.
Finished quilt size: 27.75” x 24.25”.

All three quilts were free-motion quilted—a simple quiltmaking task that keeps me grounded and renews my mental energy. The bindings were also finished by machine. 

Scrappy binding made with seven different fabrics.
The flannel “bunny” backing fabric can be seen here.

I love the binding on this quilt that was made from scraps from seven different fabrics! Piecing together leftover bits for these quilts and the bindings—turning fabric scraps into something of value—is in keeping with a resilient spirit that is much needed today.

Scrappy kitty quilt. Improvisationally pieced and free-motion quilted.
Finished quilt size: 27.5” x 23”.

I recently read a blog post by a collage and mixed media artist, Lucie Duclos, that stated, “making something with your hands can help regulate your nervous system. It can be art, baking, knitting, stitching, whatever works for you.” 

Detail: quilt block from a fabric panel incorporated into an improv quilt.
Finished quilt size: 27” x 24.75”.

Making and finishing these scrappy quilts gives me a sense of calm and joy. I’m sending this calm and joy to the recipients as well.

Junk Journal January: first 2026 Make Nine finish


Four years in, still learning and loving it! This January marked my fourth time participating in Junk Journal January—and it was just as fun and fulfilling as the first. 

Junk Journal January 2026

I did my very first Junk Journal January back in 2023, not really knowing what to expect, but I was curious. I also wanted to get back into making art and thought a junk journal was a good place to experiment—with no expectations or judgement. Fast forward to 2026 and this challenge has become something I look forward to as January rolls around to begin a new year. 

2026: more pages with watercolor and drawings 

Generally, most of the pages in my junk journals have been collage. This year, I’ve enjoyed responding to a few of the prompts by reaching for my watercolor paints and drawing pens. On Day 5, the “Echo” prompt was illustrated with a wacky mandala (techniques learned in the Artsy Marathon session I attended on New Year’s Eve) and slow drawing patterns. 

Freeform mandala with slow drawing patterns.

Day 14 “Morning” was illustrated with an abstract watercolor exercise. Just watercolors and color mixing. So fun! 

“Morning.” Watercolors.

Day 23 “Layers” was all about preparing for a predicted major winter storm that stretched from Texas to New England. This journal page has ink drawings of articles of clothing that can be layered to keep warm. The tonal background is a simple watercolor wash.

Watercolor and ink drawings. Day 23, “Layers.”

After Day 23’s watercolor and ink drawings, the Day 24 prompt “Blank” turned a blank white page into a canvas for black and white slow drawing. And Day 25 prompt “Rest” again combined slow drawing and watercolor. All three of these pages were restful and relaxing to create and I enjoyed using my watercolor paints and drawing with ink pens.

Ink drawings and watercolor.

I’m also especially pleased with Day 29 “Wrapping” page for which I painted a small cherry blossoms watercolor composition. 

Watercolor painting of cherry blossoms with a story about the Cherry Blossom Festival.

Four years in… why I continue to participate in Junk Journal January 

Returning to the Junk Journal January for multiple years has become easy for me because, even though the prompts are different and each journal page is new, the process is familiar. 

• Junk journaling doesn’t demand perfection or mastery—you just have to show up and put something on the page. 
• Sometimes the prompts are easy to interpret or immediately inspiring. Other prompts require research; a stretch of the creative muscle to interpret them on a journal page. 
• The journal is made from recycled papers [aka “junk”] and I get to practice my bookmaking skills with each new journal I make.
• The art supplies can be inexpensive, multiple, and various. A junk journal is also a great place to try out new art supplies.
• JJJ is a solid, creative endeavor to start a new year.

What’s fun about the Junk Journal process?

Using scraps: I save old catalogs, found objects, and fabric and paper scraps, that I think would be interesting for art projects. I get to combine these various bits in new compositions… and get to use the collectibles I’ve been savoring.

Two page spread for Day 13 prompt: “Paper trail.”

Experimenting with art supplies: The small ritual of creating a daily journal page—a small format, inspired by a given prompt—is a great way to experiment with my stash of art supplies and try different techniques I’ve wanted to test. It’s a small investment of time and supplies while still learning something. 

Watching the journal grow: Watching the journal “bulk up” with layers of paper, paint, marks, stitching, and ephemera—beautifully imperfect—is exciting to me. Your hands can literally feel the progress made when holding the journal. I add extra signatures to my junk journals so I can continue to add slow drawings, notes, and practice hand lettering, even after the Challenge month has concluded. 

Day 6 prompt: “Page as object.”

New prompts, new language: One of the things I was introduced to this year were prompts that were unfamiliar to me. I had to look up the terms “page as object” (above) and “still frame,” and I feel my interpretations were illustratively successful. 

Day 12 prompt: “Still frame.”

First Make Nine finish for 2026  

This journal is my sixth junk journal and I’m counting it as my first Make Nine finish for 2026. I’m fulfilling one of the Wild Card prompts. 

Make Nine 2026, January 31.

I love all my Junk Journals! Paging through past journals, being reminded of different supplies and techniques I used, and reminiscing about the time the page was created, is so inspiring as well. 

Six Junk Journals so far.

I enjoy this art practice and it’s a great way to do a creative reset at the start of a new year.  

Day 4 prompt: “Landscape.”
Collage with catalog pages.

Six journals in. Four Januaries down. Still showing up and enjoying an art-making ritual.