Stitch samplers with Scanfil organic threads, American Made Brand solids, and 2.5” Edition binding

Have you stitched with the 100% organic long staple Pima cotton thread from Scanfil? I’m making improv patchwork stitch samplers—using American Made Brand cotton solids [from Clothworks]—to show the versatility of stitch techniques that can be achieved with Scanfil threads, and how lovely and effortless these organic cotton threads are to work with.

Scanfil organic cotton threads and improv patchwork with American Made Brand (AMB) cottons.

Improv Patchwork with AMB solids

I chose solid fabrics—from the American Made Brand (AMB)—to show the thread and stitch qualities of the organic cotton thread. Solid fabrics provide a non-distracting background for the samplers. 

I also like to use solids when doing improvisational patchwork, as the essence of the patchwork and seam lines are more defined. The freehand cut, organic shapes—inherent with improv patchwork—also complement the ‘organic’ characteristic of the thread. AMB cotton is also grown, spun, woven, and dyed in the USA. 

Improvisational patchwork with American Made Brand solids.

Thread versatility

The stitch samplers include a variety of stitch techniques: 

• free-motion quilting, 
• decorative machine stitching, 
• hand quilting, and 
• hand stitching/embroidery. 

I like the 50 wt. for piecing and free-motion quilting. For hand quilting, hand stitching, and hand embroidery, I use the 30 wt.

Using 50 wt thread for free-motion quilting and 30 wt for hand stitching.

2.5” Edition binding

And no mini-quilt would be complete without a binding, right? So, I’m using the 2.5 Edition collection (binding on a bolt) from Art Gallery Fabrics. This binding print is called Magic Bound. (Gotta love the words!)

Quilted stitch sample.

A few more quilt sandwiches await stitching…

Improv patchwork quilt sandwiches await quilting.

If you want to try any of these three products for your next project, ask your local quilt shop or sewing machine center about Scanfil 100% organic cotton thread, made-in-the-USA AMB solids, and 2.5” Edition binding fabrics. 

You’ll score a “hat trick!” (If we were talking hockey, anyway.)

Make cute pillowcases with the Cat’s Pajamas

One of our neighbors had a really rough week. We hope these kitty pillowcases will help to cheer her up.

One-size-fits-all pillowcases.

The pillowcase cuffs with the shooting stars is glow-in-the-dark. It will probably be a surprise for our neighbor when the lights are off. I found both of these fun fabrics last week at Around the Corner Fabrics, a great little quilt shop in Covington (Latonia), KY.

The Cat’s Pajamas pillowcases with glow-in-the-dark cuffs.

The main print is Feline Faces from the “Cat’s Pajamas” fabric collection by Patrick Lose. The cuff is from “Space Glow” from Lewis & Irene Fabrics. The bolts were sitting on adjacent shelves at the shop—just meant to go together.

Glow-in-the-dark cuff fabric: Space Glow from Lewis & Irene.
Pillowcase main print: Cat’s Pajamas by Patrick Lose.

You can’t have too many personalized pillowcases, right?!

What we learn from messages and views of others

When people choose to highlight a piece of your work as one of their “favorites,” what is your take-away from that? In last month’s September Textile Love challenge, sponsored by Seam Collective, the prompt for the last day is “Favourite post from another participant.” Two of my posts were selected (both a surprise and delight to me!) by two different participants and one post was included in the highlight reels from Seam Collective.

Embroidery and hand stitching over watercolor painting.
From my 100 Day Project—Paint, Paper, Stitch—in 2024.

Anna Armitage choose this piece (above), from my 2024 100 Day Project called “Paint, Paper, Stitch,” as one of 9 favorites from the September Textile Love Challenge. It’s one of the watercolor compositions I created on paper and then hand stitched and hand embroidered. In response to one of the comments on this Day 5 “Stitch” post, I shared a few tips about stitching through watercolor paper… something I learned through working the 100 Day Project.

“A Tribute to Steve” (below) was my response to the Day 28 prompt, “Frame.” It was featured in Seam Collective’s reel for that day. Their observation was, “The word < frame > holds so much more than just a boundary. It’s a space where creativity is nurtured, the structure that shapes our stories, and the lines that guide our thread. And of course the magic happens when we think beyond it. When we challenge the frame, break its limits to get closer to a sort of truth—let the fibers tell their own story. The framing is not just about the containing, delineating, porting… it’s about the act of laying the table, setting up for infinite possibilities.”

“Here [from veronica.fiberantics], each color provides framing and contrast that changes our perception of the adjacent block. Speaks of depth and intimacy.”

“A Tribute to Steve”
Improvisationally pieced, machine quilted, with hand embroidery.

Julie Aldrich, who narrowed her favorites to three new-to-her artists whose work stood out to her and also choose this same piece, and said, “Your creative quilts have given me just the nudge I needed to use my stash and just go for it!”

I posted this photo on Day 27 in response to “Superpower.” “Yep—that is really a superpower!” was a comment from Claire Manners Wood.

Free-motion quilting (back view).

My take-aways

Knowing the background story of each of these pieces, I have a certain perspective on them. Unless told in a description or artist’s statement, the viewer does not have this knowledge and only responds directly to the work visually. Here are my thoughts about the viewers’ insights that were shared with me:

• I think the most powerful pieces (the ones people respond to) are the ones that we, as the artist/maker, are passionate about. If one lets the passion direct the work, it comes through to the viewer. This passion cannot be forced.
• Don’t give up. The piece from my 100 Day Project took different twists and turns before it was completed. Working on this composition extended multiple days—moving between painting, stitching, painting, and stitching more. In the final composition, there is a lot of depth, nuance, layers, and color shifts. The initial composition was not very good or interesting, but in the end—through additional work and determination—it became more complex and interesting.
• Setting up—and showing up for—your art practice is critical to progress.
• Seeing a piece through another’s eyes brought me insight I had not thought of, or seen. The idea of a  “frame” is an example of this. I’ll be thinking about this as I face future work.
• It’s so gratifying to get insightful feedback from other textile artists. It’s a wonderful, encouraging validation of the time and work that one devotes to one’s craft or discipline. Sometimes we get too close to our work and miss the forest for the trees.

Thanks for Seam Collective for hosting September Textile Love. This was my 7th year participating. It’s always a wonderment of inspiration! You make us all think “beyond the frame.”

The Seam Collective manifesto:

Seam Collective manifesto.

Create Daily 2024 tracker: Q3 is complete

Three-quarters of 2024 have passed as we say “goodbye” to September. On October 1, I’ll begin filling in the last diagram of My Create Daily tracker.

Create Daily 2024 tracker, September 30.

During the last week of the month, the squares were colored with four different colors—each representing a different creative activity. While traveling, my take-along project is hand knitting.

I’ve also been active in a new sketchbook with exercises from the Sketchbook Revival online workshop. This page was nature journaling and contour drawings with Melinda Nakagawa.

Sketchbook page: Nature journaling and contour drawings.

On the weekend, I made a thread sampler stitch-out with Scanfil Organic Threads for one of my customers. It shows examples of free-motion quilting, hand quilting, hand embroidery, and machine decorative stitching with Scanfil’s 100% long staple organic cotton threads; 50wt and 30 wt.

Thread sampler detail: free-motion quilting, hand stitching, decorative machine stitching.

The sample was improvisationally pieced with American Made Brand [AMB] solids from Clothworks. The binding is from the 2.5” Edition collection by Art Gallery Fabrics.

Scanfil thread sampler, 8” x 10.5”.

And I rounded out the last day of September with slow stitch mending. It’s been a colorful and productive month. 

Welcome October!