Showing posts with label Holly Anderson. Show all posts
Showing posts with label Holly Anderson. Show all posts

Sunday, July 22, 2018

Art Weave with the Bulloch Hall Quilters

The wonderful quilters from the Bulloch Hall quilt guild have invited me to teach an Art Weave class for them next week. I did a trunk show for this guild in May and this time we'll be doing "hands on" rippin' and weavin' with fabric.
Art Weave class: making fabric art with large scale prints.

This is a fun and creative class and I know I'll have a blast with these quilters. I also get to hang out with my friend, Holly Anderson, a certified quilt appraiser, pattern writer and instructor. We always have great conversations about quilting and the textile industry when we're together.

Thursday, August 31, 2017

100+ quilts displayed at first-time quilt show in Ringgold, Georgia

2017 Ringgold Quilt Expo at The Depot, Ringgold, GA.
Two guild friends and I were able to attend a local quilt show last weekend in Ringgold, Georgia, a town just south of Chattanooga, Tennessee. The end-of-August weather was pleasantly cooperative and the event was well attended by quilters and visitors who were treated to over 100 lovely quilts made by area quiltmakers.

The show offered a menu of concurrent events— vendors, Quilts of Valor presentations, a bed turning, demos and my friend, Holly Anderson, a certified quilt appraiser, was available on Thursday for quilt appraisals and consultations.

With the quilt show's theme of Civil War and Underground Railroad (the exhibit was held at the Historic Ringgold Depot), many of the quilts were traditional in design, pattern and fabric choice. But the show was open to other categories and styles and a few modern style quilts, quilts made from fabric panels and vintage quilts were sprinkled throughout the exhibit. An exquisite Baltimore album quilt made by a local quilter and long-arm machine quilted by my friend and fellow CMQG member, Carolyn Rippee, was awarded Best of Show.
Baltimore album quilt awarded Best of Show.
Many of our area quilt shops had tables at the vendor mall. These wonderful local quilt shop owners are fabulous supporters of the quilting community!
Lana Masengill (left) of Lana's Quilts and Sew Much More, Cleveland, TN.
Anna Quarles (right) of Sew 'n So Quilt Shop, Rocky Face, GA
with  helpers Peggy (left) and Katie.
Jacki Cory teaches classes at Old Woolen Mill studio in Cleveland, TN.
Susan Hyder (left) of Hyderhangour Quilt Fabric and More, Cleveland, TN
and BJ Wright, the quilt show's Volunteer Coordinator.
Here are a few of the quilts of which I was able to get a picture. (If anyone knows their makers, please leave a comment and I'll fill in the captions.) The fabric colors and values in this scrappy one were wonderful.
Scrappy Star string quilt.
This one spoke to me. I love the juxtaposition of the classic hatchet block patchwork with a fusible applique border. Contemporary Broderie perse!
Patchwork with an applique border.
House quilt and a holiday quilt.
This contemporary quilt incorporates a panel. 
Underground Railroad (left) and a row quilt.
Variation on a Bethlehem or Lone Star pattern.
This one reminded me of Mary Kerr and her vintage-with-a-twist method of patchwork.
Vintage quilt.
Another Baltimore Album quilt.
Applique map of the United States by Anna McDonald (age 12) or Ringgold, GA.
Redwork quilt.
There was also the opportunity for anyone to take a seat at the frame and hand quilt this quilt-in-progress. These vintage blocks were found and pieced into a top specifically for this hands-on experience.
Hand quilting a vintage quilt top at a quilting frame.
Whomever participated in this hand quilting activity had their name submitted into a jar for a chance to win the quilt. What a wonderful prize that would be.

For a first-time quilting event, the hard work of the volunteers, participants and sponsors paid off and it was a lovely showing of work by area quiltmakers. Any suggestions or ideas for making this show bigger/better/bolder for next year, let me know and I'll pass along the feedback.

Sunday, March 26, 2017

Quilt bindings: Do you stitch the miters?

Do you stitch closed the miters on a quilt binding? 
Binding.

There's no way out of it...
(unless someone else does it for you).

Either you love attaching binding or you tolerate it because it means your quilt is almost finished.

Binding: cutting binding strips and attaching them was one of the topics in the "Viewpoints and Q-points" panel discussion at the February ChattMQG meeting. There are probably as many variations for making and attaching bindings as there are quilters:
:: single fold
:: French (double) fold
:: attaching by hand and machine
:: attaching all by machine
:: with piping
:: with a faux piping or flat piping (this technique has various names such as "Magic Binding" or "Reveal Binding," etc.)
:: fused binding

... not to mention the various methods for joining the beginning and ending binding tails as well as faced bindings and other edge-finishing techniques. Whew! Quite a smorgasbord.

One detail about bindings that I posed to the panel members as well as the audience was, "Do you stitch the miters closed at the corners?" In judged quilt shows, among the many things that judges may look at is the quilt's binding. Is it straight? Is it filled to the edge with the batting? And... are the miters stitched?

How did our foremothers do it? The miters on
the corners of this vintage quilt are stitched closed.
For me, I DO stitch the miters closed (tack them down, or sew together, if you will). However, since there was such an interesting reaction to this question, I decided to ask others in the quilting community and here's what I found.

Results from the Poll:
Not many ChattMQGuild members stitched the miters closed. The reasons cited include:
  • don't think it's necessary; 
  • hadn't really considered it; 
  • don't want to take the time.
My students who took Beginning Quiltmaking with me said they do stitch the miters. (It warms my heart that they were paying attention in my class.)

Certified quilt appraiser, Holly Anderson, stitches her miters closed. She cited the following reasons, "... [stitching the miters] does have a practical purpose. It holds the corners together better and keeps things from getting caught in the binding and pulling it loose." She added this helpful tip, "You can also correct some not-so-perfect cornering with the hand stitching."

Modern quilter, Carolyn Friedlander, stitches the miters closed only on the back side of the quilt in one of her online class. When asked about the front side, she replied, "I don't stitch up the miters on the front, but you're welcome to do that if you'd like."
The corners on this antique quilt
are stitched down but are not mitered.

Three fabric representatives who are quilters each responded differently:
  • I stitch the back miters.
  • Not very often [do I stitch the miters together].
  • Nope [I don't stitch the miters].

I then contacted Cathy Neri in Quilt City USA. She is a member of the Visitors Service Team at the Paducah Convention and Visitor's Bureau. The CVB has a rotating exhibit of wall quilts made by professional quilt artists from around the world. Cathy examined the quilts in the current exhibit and relayed the practises of the artists:
  • Jenny Raymond, "Shine Down," 2006,  mitered corners, stitched front and back.
  • Marla Yeager, 1998, "Collide-a-Scope,"1998, mitered corners, stitched front and back. 
  • "Mariner's Compass" with no label/date/ID: mitered corners, stitched front and back.
  • Helen Marshall, "Carnival," 2006, has curved corners (no miters needed) and bias piped binding.
  • Helene Davis, "Big Blue Marble," 2007, no binding. This on is faced on all sides.
  • Linda Lasco, "Grandma's Stars" (from a Timna Tarr pattern) no date, mitered corners and stitched front and back.
  • Laura Wasilowski, fused quilt (no date, no name): fused, fold-over edges then decorative stitched.
  • Untitled work (unknown maker, no date), mitered corners but left unstitched front and back.
  • Caohagan quilt by a Polynesian artist, 2015, mitered corners stitched by hand on the back only.

And finally, Instagram friend, Tiffany Horn of @villageboundquilts posted my question to the online IG quilting community about tacking down the miters. I compiled the feedback in this pie chart.

Compiled responses from the InstaGram online quilting community
from a post by Tiffany Horn of Village Bound Quilts.
Again, the methods for attaching binding were diverse. Some quilters indicated that they chose hand or machine depending on the quilt's recipient or the quilt's use. If the binding was attached all or partially by hand, the miters were more frequently stitched together. What does this tell us?

Individual IG comments that I found interesting:
  • "... For show quilts, always blind stitch mitered binding corners closed." —@dianavanderyar
  • An interesting idea from @mamasan_gerber is to use a double needle when machine binding. "... It gives a nice front look and the zigzag back catches all, so no stray openings." 
  • "... I sew down the mitered corners when hand binding, not machine." —@prettypiney
  • "... I also sew the corners closed front and back... judges tend to like that!" —@quiltedblooms

So, there you have it... responses, insights and different approaches from various pockets of the quilting community about whether to stitch the miters closed on a quilt binding. Have you found this insightful?

Thank you. I appreciate everyone's input and help in gathering answers to this question. A few IG readers said they appreciated getting a look into other quilters' processes. We can learn things from each other all the time. I'll end with this comment from @sharon_drummond, an open-minded quilter on IG:

"... I don't stitch up the corners though I'm rethinking after reading responses." 
—@sharon_drummond
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